An Impossible Fever to Negotiate (Lola Lafon)

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It happened on September 14. An unsuspected man raped Landra. Landra gathers her shattered intimacy and tries to stand up, despite the fear that holds her hand. Driven by her anger, she meets the activists of Étoiles Noires Express. With them, in the early 21st century Paris, she seeks a supportive and collective life in squats, actively fighting against capitalism that destroys people and souls. Landra rebuilds herself among her human brothers and sisters... By sharing her voice with other raped sisters, she will break the imposed silence and file a complaint. Towards a possible reconstruction? Landra's journey is performed by Aïcha Rapsaet in a solo show, whose rhythm and musicality are based on urgent, poetic, and incandescent words. Marked by a few symbolic elements, the "journey," directed by Joël Delsaut, is initiated by the actress's body and performance. Aïcha creates space from Landra’s inner world, shaping the stage with the scissors of imagination, helped by the powerful images written by Lola Lafon, driven by music, and taking the audience in her wake... A journey as an attempt to "say" the rape.


Good to know

A French-language performance based on the novel by Lola Lafon



Théâtre du Centaure

Where does it take place?

1660 Luxembourg Théâtre du Centaure Asbl, Grand-Rue, Ville-Haute Luxembourg

Théâtre du Centaure
Théâtre du Centaure Asbl
Grand-Rue
Ville-Haute Luxembourg



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wed. 24
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  • 2026-06-24 20:00:00 2026-06-24 21:30:00 Europe/Paris An Impossible Fever to Negotiate (Lola Lafon) It happened on September 14. An unsuspected man raped Landra. Landra gathers her shattered intimacy and tries to stand up, despite the fear that holds her hand. Driven by her anger, she meets the activists of Étoiles Noires Express. With them, in the early 21st century Paris, she seeks a supportive and collective life in squats, actively fighting against capitalism that destroys people and souls. Landra rebuilds herself among her human brothers and sisters... By sharing her voice with other raped sisters, she will break the imposed silence and file a complaint. Towards a possible reconstruction? Landra's journey is performed by Aïcha Rapsaet in a solo show, whose rhythm and musicality are based on urgent, poetic, and incandescent words. Marked by a few symbolic elements, the "journey," directed by Joël Delsaut, is initiated by the actress's body and performance. Aïcha creates space from Landra’s inner world, shaping the stage with the scissors of imagination, helped by the powerful images written by Lola Lafon, driven by music, and taking the audience in her wake... A journey as an attempt to "say" the rape. Théâtre du Centaure Asbl, Grand-Rue, Ville-Haute Luxembourg Théâtre du Centaure
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